Spiral

March 12, 2001 (Green)

Written by: Steven S. DeKnight

Teaser

INT. TARA'S DORM ROOM - DAY (DAY 1)

Direct pick up from the end of episode 19. Glory has destroyed the outer wall of Tara's room. Brain-sucked Tara has inadvertently revealed that Dawn is the Key. Buffy, Dawn, and Willow stand frozen.

Buffy explodes into action. She grabs Dawn and flings herself through Tara's door, back first. The door splinters off its hinges.

INT. TARA'S DORM - HALLWAY - DAY

Buffy spills out into the hall with Dawn. She scrambles to her feet, yanking Dawn up.

BUFFY
Run!

Buffy takes off with Dawn down the hall.

INT. TARA'S DORM ROOM - DAY

Glory's face darkens as she takes a step after Buffy. WHOMP! Her forward momentum is stopped cold before she can enter the room -- Willow's casting a spell. Tara whimpers behind her.

GLORY
You're really starting
to piss me off, witch.

WILLOW
(Russian)
Air becomes FIST!

Willow clenches her hand into a fist. BOOM! An energy blast blows Glory back outside through the destroyed wall. Willow grabs Tara and hustles out the door.

INT. COLLEGE COMMONS ROOM - DAY

Students bustle. Buffy tears in with Dawn. She jostles students out of the way as she makes for the double doors on the other side.

Buffy and Dawn hit the double doors, escaping out of the building. BOOM! The opposite wall across the room explodes. Startled SCREAMS and STUDENTS DIVING FOR COVER.

Glory steps through the hole, snaps her eyes around he room. She becomes a RED BLUR as she switches into SPEED MODE. BOOM! The double doors leading outside are blown off their hinges as she exits.

5 AND 6 OMITTED

EXT. CAMPUS - DAY

Buffy runs full tilt, half dragging Dawn.

DAWN
(gasping)
Wait... Buffy...

BUFFY
We have to keep moving!

DAWN
(gasping)
I... I can't ...

Dawn stumbles, exhausted. Buffy scoops her up in her arms and continues, leaping over a bench as she goes.

ANOTHER ANGLE: Glory, in SPEED MODE, chases after them.

EXT. EDGE OF CAMPUS - DAY

Buffy dashes for a tree-lined park on the other side of the street.

Suddenly Glory is in front of them, blocking Buffy's path. Buffy freezes. Glory pins her with an icy stare.

GLORY
I really hate it when people
touch my things.

Buffy puts Dawn down, never taking her eyes off Glory as she advances.

GLORY (cont'd)
Last words, Slay-runt?

BUFFY
Just one.
(a beat)
Truck.

A TRUCK HORN suddenly BLARES. Glory whips her head around -- too late. An EIGHTEEN WHEELER barreling down the road slams into her. The truck tears past, brakes squealing. Buffy grabs Dawn's hand and takes off with her through the park on the other side of the street.

EXT. STREET/EDGE OF PARK - DAY

Several hundred yards from the truck, near a stand of trees ringing the park. WHAM! Glory crash-lands on the roof of a parked car, her dress soiled and tattered. The car windows explode, the car alarm goes off.

Glory snarls, her eyes flashing with blind rage. Hellgod hella pissed off. She moves to get up and start after Buffy but is stopped by a sudden pain slamming through her body.

GLORY
No! Not now, you idiot!
Let... go... of my...

She bellows in rage as she rolls off the car transforming into Ben.

GLORY/BEN
... BODY!

Ben collapses to his knees, exhausted and spent. Whatever Glory's been through, he's definitely feeling it.

BEN
Oh god…

BLACK OUT.

OMITTED

END OF TEASER
Act One

INT. XANDER'S APARTMENT - DAY

The Scooby Gang has assembled. Buffy stands near the window, her eyes nervously sweeping for any sign of Glory or her Minions. Dawn, on the other hand, is excitedly relating their latest daring escape.

DAWN
...and then WHOOSH! All of a sudden
Glory's standing right there in front of us
all skanky and blond and thinking she's
all that just because some bumpy heads
kiss her stinky feet -- well she does have
nice feet -- and she's coming right at us
but Buffy doesn't even blink. She just
stands there all "bring it on" and then WHAM!'

Dawn smashes her fist into her hand for effect.

DAWN (cont'd)
Hellbitch in orbit!

XANDER
Go, Buff!

GILES
I knew you'd be able best Glory
eventually. With all our years of
training and --

BUFFY
(not turning around)
A truck hit her.

GILES
Oh.

ANYA
(encouraging)
Did you throw it?

DAWN
Well, no, she more kind of waited
for it to hit Glory -- but then Buffy
ran really fast and we got away!

BUFFY
I don't know how we got away.
That truck couldn't have slowed
her down for more than a second.

GILES
How isn't important. All that
matters is the two of you are safe.

Buffy laughs bitterly as she turns to face the group. She's rattled, and it shows.

BUFFY
Safe? We've barely been able to
manage not getting seriously dead
every time we cross paths with Glory.
Now that she knows about Dawn ...

TARA
Floaty green shimmers.

Tara is staring at Dawn in wonder.

TARA (cont'd)
(to Willow, confused)
Why don't you shimmer?

Willow looks to the Gang, her face a swirl of fear, pain, and a whole mountain of guilt.

WILLOW
She didn't mean to.
You know that, right?

BUFFY
I know. But it's done, and now we
have to deal with it.

GILES
Perhaps there's something in the Book
of Tarnis, something we've missed
that we can use against Glory.

ANYA
Piano!

XANDER
Right. Piano. Because that's what
we used to kill that big demon that
one time. No, wait. That was a
rocket launcher. Ahn, what are you talkin'?

ANYA
We should drop a piano on her.
(off their looks)
It always works for that creepy
cartoon rabbit when he's running
from that nice man with the
speech impediment.

GILES
Yes, or perhaps we could paint a
convincing fake tunnel on the side
of a mountain. Let's keep thinking.
We should reassemble at the shop,
see what we can --

BUFFY
We can't fight her.

GILES
Not yet, but --

BUFFY
Not ever. She's too strong, Giles.
We're not going to win this with
spells or stakes or yanking out
uranium power cores. She's a god,
and she's coming for us. So let's
not be here when she starts knocking.

Surprise all around.

ANYA
Run away?! Finally a sensible plan.

XANDER
That's not what she meant.
(to Buffy, uncertain)
Is it?

BUFFY
(increasingly frazzled)
We can't stay here. Glory will kill us
off one by one until there's nobody
standing between her and Dawn.

GILES
Buffy, we all understand the severity
of the situation, but there must be another --

BUFFY
(on the edge)
No! We stay -- we die! Show of
hands for that option?

Uneasy glances around the room.

BUFFY (cont'd)
All right. Nobody goes home,
nobody tells anyone we're leaving.
We grab whatever supplies we can
and that's it -- we're gone.

DAWN
(rattled, trying not to show it)
Cool. Won't have to study for that
geometry test.

XANDER
What about wheels? I don't think
everybody's gonna fit in the Xan-mobile.

BUFFY
Just get your stuff together.
I'll take care of it.

INT. GLORY'S APARTMENT - LIVING ROOM - DAY

Ben is slipping into his own clothes. He's still spent from the energy Glory expended fighting Willow and chasing Buffy. GRONX holds Glory's tattered red dress, eyeing it in horror.

GRONX
This is... this is terrible! I'll
never be able to mend this!

BEN
Not really my color anyway.

Gronx laughs politely.

GRONX
Oh yes, inappropriate humor. Most amusing.
(indicating dress)
I don't suppose you know what lead
to this sartorial tragedy?

BEN
That's not how it works. You know that.

GRONX
Yes, yes, of course. I just thought
maybe after her Magnificent
Incandescence was returned to this
manly and painfully handsome
assemblage, you might have observed
something interesting? A Key in
human form perhaps? Lounging
about, unattended?

Ben locks eyes with Gronx. Gronx squirms.

BEN
If I did, do you really think
I would tell you?

GRONX
Why do you insist on fighting the
inevitable? No one can stand against
her blindingly Scrumptious Luminescence --

BEN
Glory! Her name is Glory. And she's
your god, you little scab. Not mine.

GRONX
With all due respect and fear of sharp
objects, you exist, sir, only because
of her divine greatness.

BEN
You mean her divine failure, don't you?

Gronx shifts uncomfortably. Touchy subject. Ben turns away. There's no joy in torturing Glory's twisted little minions.

BEN (cont'd)
I didn't ask for any of this. I just
want to be normal.

GRONX
I wanted to be an underwear model.
(shrugs)
We play the hand we're dealt.

BEN
Nothing's mine, is it? This body,
this life. It's all infected. The only
thing I've ever cared about she's
taken away from me.

His eyes fall on his doctor's bag, resting on a table.

BEN (cont'd)
(a beat)
You know why I wanted
to become a doctor?

GRONX
The flattering drawstring pants?

BEN
To be close to people. To witness
their lives and their deaths. To be
there, alongside them, a part of
everyday humanity.
(laughs bitterly)
Or maybe it was the drugs.

GRONX
Drugs, sir?

BEN
Find the right combination... keep
her buried where she belongs --

GRONX
Impossible! Her magnificence can
never be fully contained! She is a
perfect, all-encompassing light --
one you should feel honored to be bathed in.

BEN
Oh yeah, I'm thrilled. Especially with
the part where she gets her Key back
and I cease to exist.

GRONX
True, this oh so appealing form -
(indicates Ben's body)
--will by necessity be shrugged off --

BEN
Not if I get to the Key first.

Gronx eyes him for a stunned beat, then quickly regroups.

GRONX
And if you did? What then?

Ben doesn't answer.

GRONX (cont'd)
But could you do it? Take a human
life ... with your own hands?

It's Ben's turn to squirm.

GRONX (cont'd)
(gently)
Oblivion is such a small inconvenience
in the service of a deity. Accept your
fate. I mean, you said it yourself.
This life was never really yours
anyway, was it?

BEN
It doesn't matter how I came by it.
It's mine.

Ben's face hardens into dark menace.

BEN (cont'd)
And I plan on keeping it.

EXT. WAREHOUSE ALLEY - DAY

The Scoobies (minus Buffy and Dawn) are on the curb with their gear. Jitters all around.

ANYA
Anybody else feel that?

WILLOW
What?

ANYA
Cold draft of paralyzing fear.

GILES
We just need to stay calm.

WILLOW
(scared)
Calm. Right.

XANDER
We gotta be Sergeant Rock!
Cool and collected in the face
of overwhelming odds.

ANYA
(not liking the sound of that)
Overwhelming? How much more than
whelming would that be exactly?

GILES
Everything's going to be all right.
We'll wait here -- calmly -- and as
soon as Buffy arrives we'll --

A battered Winnebago tears up, screeches to a stop. The front windshield has been mostly blocked out by tin foil from the inside -- where we can just make out Spike behind the wheel. He wears dark round goggles to protect himself from getting fried by the sun. Giles' face drops.

GILES (cont'd)
... feel oddly worse.

INT. WINNEBAGO - DAY

Buffy and Dawn quickly help the Gang pile in. The interior of the Winnie is worse than the outside. This crate has definitely seen better days. Giles glares at Spike.

GILES
What's he doing here?

SPIKE
(dryly)
Just out for a jaunt. Thought I'd
swing by and say howdy.

GILES
Out.

Giles takes a step towards Spike. Buffy stops him.

BUFFY
He's here because we need him.

XANDER
The hell we do.

BUFFY
If Glory finds us, he's the only one
besides me that has a chance of
protecting Dawn.

XANDER
Buffy, come on, he --

Buffy explodes -- she so doesn't need this right now.

BUFFY
This isn't a discussion! He stays.
Get over it.

She disappears into the back bedroom area, sliding the door closed behind her. Extra frazzled. Giles and Xander glare at Spike. He gives them a huge grin.

SPIKE
Buckle up, kids! Daddy's puttin' the
hammer down.

Spike grinds gears.

EXT. WAREHOUSE ALLEY - DAY

The Winnie lurches off.

INT. HOSPITAL - DAY

A Nurse is filling out paperwork behind the desk. Two Knights of Byzantium (Dante and Knight #1) are on the other side, checking crazy Orlando out of the hospital. They're disguised in normal clothes with baseball caps covering their tattooed foreheads. Orlando's eyes absently drift around the room, his tattoo clearly visible on his forehead.

NURSE
Sign here.

Dante takes her pen, signs the release papers in flowing calligraphy, slides them back to the Nurse.

NURSE (cont'd)
Okay. That should do it.

Dante nods. He and Knight #1 move off with Orlando.

DANTE
(softly, to Knight #1)
See? Did I not tell you it
would be easy to --

NURSE (O.S.)
Hey!

They turn. The Nurse is coming around the desk. Knight #1 slips a dagger out of his sleeve behind his back. Dante tenses.

NURSE
My pen?

Dante realizes he's still holding the Nurse's pen. He hands it back with a sheepish grin.

EXT. WOODS - DAY

Dante and Knight #1 lead Orlando through the woods. Orlando's eyes are wide with wonder.

ORLANDO
The trees are singing water.

A twig snaps nearby. Dante freezes, ears straining to locate the source. A deep voice breaks the silence behind them.

GREGOR (O.S.)
You have him?

Dante whirls about. GREGOR, the huge, grizzled General of the Knights of Byzantium, looms over them. He's older than the other Knights, with scars spider-webbing the side of his weathered face. The tattoo adorning his forehead is wider and more ornate: the mark of a commander. The crest on his tunic also bares his elevated rank.

DANTE
Yes, General.

Dante removes his hat, revealing his own tattooed forehead.

DANTE (cont'd)
Our brother has returned to the fold.

GREGOR
Welcome home, Orlando.
(embraces him)
I swear by my sword, your sacrifice
will not go unavenged.

Orlando reaches out with a trembling hand and touches Gregor's armor. Does Orlando remember him?

ORLANDO
(re: armor)
Shiny.

Gregor smiles sadly. No, Orlando's mind is totally gone.

GREGOR
Yes. I suppose it is.

ORLANDO
Pretty little girl. She's shiny too.

GREGOR
(to Dante)
Watch him. Make sure he's...
comfortable.

Gregor turns to go.

ORLANDO
All shiny. Pretty little Key.

Gregor whirls back around.

GREGOR
The Key? You've seen it?!

ORLANDO
Pretty little shiny girl...

Gregor's jaw tightens as he puts it together.

GREGOR
(spitting it out)
The monks. They've made it human.

DANTE
We know the Slayer is protecting the
Key. If what Orlando says is true ...

Gregor turns to the woods behind him.

GREGOR
Prepare to advance!

PULL BACK to reveal TWENTY KNIGHTS standing at attention. TWENTY MORE are marching out of the woods followed by TEN on horseback. As promised, they have returned with an army to destroy the Key.

GREGOR (cont'd)
We end this. Now.

BLACK OUT.

END OF ACT ONE
Act Two

EXT. OUTSKIRTS OF TOWN - DAY

The Winnebago chugs along through the outskirts of town.

INT. WINNEBAGO - MOVING - DAY

Gloomy with all the shades drawn for Spike, who's in a bit of a pout because Giles has seized control of the driver's seat (tinfoil removed from windshield). The Gang is spread out in the main compartment. Willow is pouring through a spell book. Tara sits besides her, humming distractedly.

ANYA
Shouldn't somebody be asking if we're
there yet? That's what small irritating
children do, don't they?

DAWN
That kinda only works if you know
where you're going.

ANYA
Oh.
(a beat, loudly)
Do we know where we're going yet?!

SPIKE
Already be somewhere if Captain
Slowpoke would give up the wheel.
(to Giles)
Hey, gramps! Bloody step on it!

GILES
Step on what? I've driven tricycles
with more power.

The Winnie lurches. Xander puts a hand to his stomach, looking a little green.

XANDER
Anybody else a little queasy?

ANYA
(to Gang, re: Xander)
He doesn't travel well. He's like
fine shrimp.

Spike leans close to Dawn.

SPIKE
Should've nicked that Porsche I had
me eye on. Just enough room for me,
you, and big sis.

Xander gives Spike the evil eye.

SPIKE (cont'd)
What?

XANDER
Just give it a rest or --

SPIKE
Or what? Gonna toss your cookies
on my shoes?

XANDER
--or you're going to be Undead Man
Walking. See how fast you hitch a
ride with a flaming thumb.

SPIKE
Fine...
(soft)
... shrimp.

Xander shoots him a look, crosses to the front of the Winnie.

FRONT CAB

Xander slides into the passenger seat next to Giles.

XANDER
That guy is bloodsucking the last
nerve right out of me.

GILES
Buffy does have a point. In a confrontation,
Spike could prove...
(paining him)
... useful.

XANDER
I don't know if Buffy's thinking too
clear on that one. Or anything else
right now. I've never seen her so..

GILES
She's had more than her share to deal
with of late. She just needs a chance
to catch her breath. Regroup.
(trying to convince himself)
She'll be all right.

XANDER
Yeah, she'll...
(weakly)
Yeah.

Silence. They're both worried about her, and it shows.

MAIN COMPARTMENT

Dawn sits next to Willow.

DAWN
Any luck?

WILLOW
If you define luck as the absence of
success -- plenty.

She smiles weakly. She's exhausted and stressed to the max by having to take care of Tara.

WILLOW (cont'd)
There's a couple of barrier spells,
but they only work on a fixed locus.
Haven't found anything we can use
while we're moving.

Tara peeks around Willow. She stares at Dawn, wide-eyed.

TARA
(to Willow, re: Dawn)
It's so pretty. Can I have one?

Willow looks at Dawn, mortified. Dawn musters up a weak smile. Discomfort all around.

DAWN
Umm... Anybody hungry?

ANYA
(leaping up)
Ouhh! Snacks!

She roots around in a backpack.

ANYA (cont'd)
The secret to any successful migration!

Anya pulls a frying pan and a tin of Spam from the backpack.

ANYA (cont'd)
Who's up for some tasty fried meat products!?

Tara pulls open one of the blinds. The direct sunlight scorches Spike. He dances back, his skin smouldering.

SPIKE
Hey!

WILLOW
Tara, no!

Willow quickly closes the blind, scolding Tara.

WILLOW (cont'd)
What did I tell you?!

Tara bursts into tears, sobbing like a little child. Willow instantly regrets snapping at her. She cradles Tara.

WILLOW.(cont'd)
No, shhh... I'm sorry. It's okay. shhh...
(to Gang)
She didn't mean it. She doesn't know
what she's doing.

DAWN
(gently)
We know.

Spike awkwardly tries to console Tara.

SPIKE
Yeah, no biggie. Look, skin's already
stopped smoking. You go ahead and
play peek-a-boo with Mr. Sunshine
all you want. Keep the ride from getting boring.

Tara becomes even more agitated.

TARA
All the light... gone.

Willow rocks her in her arms, trying to calm her.

WILLOW
No, baby. It's still light outside. Shh ...

TARA
...dark....... all dark ...

INT. HOSPITAL - MENTAL WARD - DAY

The Crazies fidget in their beds, eyes glazed and faces slick with sweat, muttering to themselves.

CRAZIE #1
Dark.

CRAZIE #2
All dark.

CRAZIE #3
Soon.

CRAZIE #2
Dark.

CRAZIE #1
Soon...

ALL CRAZIES
(soft, whispered)
Soon... soon

We overlap:

INT. GLORY'S APARTMENT - LIVING ROOM - DAY

MYSTIC SYMBOLS have been written on the floor in blood, encircled by black candles.

ALL CRAZIES (V.O.)
(fading)
... soon ... ...soon... ...soon...

RUNIC STONES are cast into the circle.

GRONX (O.S.)
It's coming!

PULL BACK to reveal Gronx and Murk sitting across from each other on the outer edges of the circle.

GRONX
The signs are in alignment. Soon
victory will be in our grasp. All we
need do is seize the moment... and
squeeze until it bleeds.

Gronx smiles, all pointy teeth and dark intent.

INT. WINNEBAGO - BACK BEDROOM - MOVING - DAY

Buffy is siting on the bed in the gloom, totally spent. Dawn pokes her head in.

DAWN
Hey. I think Anya's gonna try to cook.
Wanna come watch the tears and recriminations?

Buffy smiles weakly, barely listening.

BUFFY
Maybe later.

A beat. Dawn turns to go, pauses.

DAWN
Thank you.

BUFFY
For what?

DAWN
You know. Pretty much... everything.

BUFFY
(down on her herself)
Yeah. I'm doing a great job.

DAWN
You are.

BUFFY
I'm the Slayer. The Chosen one, all
mythic and defendery. Evil Nasties
are supposed to flee from me, not the
other way around.

DAWN
You're not fleeing. You're... moving
at a brisk pace.

BUFFY
Quaintly referred to in some cultures
as the Big Scaredy Run Away.

Dawn sits next to her.

DAWN
(sincerely)
It's the most amazing thing anyone's
ever done for me.

Buffy sags, on the verge of total collapse.

BUFFY
It just... keeps coming. Glory.
Riley. Tara. Mom --

Buffy barely chokes that last one out.

DAWN
(soft)
I know.
(a beat)
But there's a bright side.

BUFFY
There is?

DAWN
Yeah. At least things can't get any
crazier, right?

THUNK! An arrow pierces the back of the Winnebago right next to Buffy's head. Buffy stares at it.

BUFFY
(to Dawn)
You know this is your fault for
saying that.

They shove the rear window blinds aside to see where the arrow came from.

EXT. DESERT ROAD - DAY

Ten KNIGHTS ON HORSEBACK are thundering after the Winnebago. Several are notching arrows onto their bows.

INT. WINNEBAGO - BACK BEDROOM - MOVING - DAY

Buffy can't help but laugh at the absurdity of what she's seeing. Welcome to Crazier, USA.

INT. WINNEBAGO - MOVING - DAY

Buffy and Dawn rush out into the main compartment.

BUFFY
Giles!

Giles has already spotted the Knights in the sideview.

GILES
I see them!

SPIKE
See who?

THUNK! THUNK! THUNK! More arrows pierce the Winnie (not penetrating all the way, just sticking halfway through).

SPIKE (cont'd)
Bloody hell!

XANDER
Arrows! They're throwing arrows!

BUFFY
Dawn! Stay down!

Dawn hunkers down. Tara peeks through the blinds, squeals with delight.

TARA
Horsies!

WILLOW
Tara!

Willow yanks Tara away from the window just as an arrow crashes through.

An arrow pierces the driver's side door, narrowly missing Giles.

GILES
(calling to Gang)
Weapons?!

SPIKE
Hello! You're driving one!

WILLOW
Don't hurt the horsies!

BUFFY
We won't.
(to Giles, whispered)
Aim for the horsies.

Giles yanks the wheel hard to the left.

EXT. DESERT ROAD - DAY

The Winnie swerves, but the Knights easily avoid it. These guys are good.

EXT. REAR OF WINNEBAGO - MOVING - DAY

A Knight gallops up. He latches onto the access ladder on the back of the Winnie, quickly scampers up.

INT. WINNEBAGO - MOVING - DAY

The Gang is jostled hard as the Winnie careens down the road.

XANDER
(trying not to vomit)
Did we shake 'em?

WHUMP! The blade of a broadsword pierces the roof, narrowly missing Xander. The Gang dives for cover as the Knight on the roof keeps slamming his sword down in different spots.

BUFFY
Stay low! Watch out for --

WHUMP! The sword comes down right over Buffy. Spike grabs the blade, stopping it before it rams into her. He hangs on, grunting in pain as the steel slices into his hands.

SPIKE
(to Buffy)
Now might be a good time for
something heroic.

Buffy scans the ceiling, spots the vent hatch.

BUFFY
Xander! Hatch!

Xander boosts Buffy up to the hatch. She punches it out and disappears up onto the roof.

EXT. WINNEBAGO ROOF - MOVING - DAY

The Knight struggles to free his sword. He finally yanks it free. Spike SCREAMS IN AGONY from inside the Winnie.

The Knight sees a shadow creeping up on him. He swings his sword around. Buffy ducks, lays into him. She takes his sword away and whip kicks him hard. He sails off the edge of the roof.

WHUMP! WHUMP! GRAPPLING HOOKS dig into the side of the roof from below. More Knights are climbing up.

INT. WINNEBAGO - MOVING - DAY

Spike's hands are drenched in blood from trying to hold the Knight's sword. Dawn quickly wraps strips of dish towel around them to stop the bleeding.

DAWN
Keep the pressure on.

SPIKE
Always do, sweet bit.

CRASH! A chain mail-clad hand slams through the window next to Dawn, latching onto her hair and giving Spike a dose of solar scorch. Dawn screams. Xander tries to pull the Knight off, gets smashed back.

The Knight's face appears behind Dawn. He snarls as his grip tightens. One good squeeze and -- KLANG! Anya clocks him in the face with her frying pan. The Knight falls away.

ANYA
(re: frying pan).
Not a piano, but hey.

EXT. WINNEBAGO ROOF - MOVING - DAY

Buffy is battling two more Knights. One has an axe, the other a morning star. Buffy dodges and spins. She holds her sword up just as the morning star descends. The chain wraps around her sword. She yanks hard, sending the Knight flying off the roof.

The other Knight nearly takes her head off with his axe. Buffy's sword is knocked out of her hands. She attacks. The Knight sails back, unconscious, his axe flying up. Buffy grabs it midair, spins around, throws it.

KA-CHUNK! The axe slams into the chest of a Knight coming up the rear access ladder. He stiffens, falls. Buffy stands there, breathing hard. That's it. No more Knights.

INT. WINNEBAGO - MOVING - DAY

Giles breathes a sigh of relief, glancing back to the Gang.

GILES
Everyone all right?

He turns back to the road -- and his eyes go wide. A Knight is galloping straight for them, spear in hand.

EXT. DESERT ROAD - DAY

The Knight hurls the spear.

INT. WINNEBAGO - FRONT CAB - MOVING - DAY

The spear slams through the windshield and impales Giles through his side.

EXT. DESERT ROAD - DAY

The Winnie swerves off the road. The tires hit the gravel and the Winnie pitches over on its side, hurling Buffy like a catapult. She lands hard, regaining her senses just in time to see the Winnie skid to a stop, coming to rest in a cloud of dust. From bad to impossible in record time.

BLACK OUT.

END OF ACT TWO

Act Three

EXT. DESERT ROAD - DAY

The crippled Winnie lays on its side. PAN UP AND OVER the wreckage. In the distance, the Gang is limping away from the crash site, heading for an ABANDONED GAS STATION down the road.

OMITTED

EXT. ABANDONED GAS STATION - DAY

Spike kicks the door in, a blanket over his head to keep from bursting into flames. The Gang enters.

INT. ABANDONED GAS STATION - CUSTOMER AREA - DAY

The gas station is divided into three connecting rooms: a customer snack bar area up front (with an 'Out of Order' pay phone), an office in the back, and a large boarded up service garage off to the side. The windows are also boarded up, with narrow gaps allowing a person to peek outside.

Buffy and Xander carry Giles in, lay him down on a counter. The side of his torso where he was impaled is drenched in blood.

BUFFY
(to Willow, re: Giles)
Willow...?

WILLOW
I'm on it.

She moves over to Giles, keeping Tara close. Buffy gives Dawn the quick once over.

BUFFY
You sure you're all right?

DAWN
Yeah. But Spike's hurt.

Spike's hands are still wrapped in strips of bloody dish towel. Buffy, preoccupied, grabs them roughly to examine the damage.

SPIKE
Ow! Easy with the delicates!

BUFFY
(to Dawn)
They'll heal.

She moves to the window and looks through the slats, eyes flicking nervously across the barren landscape.

SPIKE
(grumbling)
Florence Nightingale to the bloody rescue.

ANYA
We have another plan, right? One that
doesn't involve pointy arrows and Winnebagos?

Buffy struggles to get her bearings. She's off balance, reeling.

BUFFY
We'll -- we'll rest here for a minute.
Then we have to keep moving.

XANDER
Where?

BUFFY
(snapping at him)
I don't know! But we can't stay here.
It's too close to the wreck, too easy to --

WILLOW
Buffy?

Buffy crosses to Willow and Giles.

BUFFY
How is he?

Willow tries to respond, can't. It's that bad.

BUFFY (cont'd)
(stricken)
Will?

WILLOW
I think I slowed the bleeding, but ...

BUFFY
Okay. Okay, just... just let me think --

WHOOSH! A flaming arrow smashes through a boarded up window and THUNKS into the wall. THUNK THUNK THUNK! More flaming arrows. The Gang dives for cover. Xander peeks out the window. Not good.

XANDER
We got company -- and they
brought a Crusade!

EXT. ABANDONED GAS STATION - DAY

Five Knights continue firing off arrows as twenty more converge on the gas station, led by Dante and General Gregor, both on horseback.

INT. ABANDONED GAS STATION - CUSTOMER AREA - DAY

Xander is ripping the flaming arrows out of the walls and stomping them out. Buffy and Spike tip a soda machine to block the front door.

BUFFY
Willow!

WILLOW
I'm working on it!

Willow frantically pages through her spell book. The sound of BREAKING GLASS and SPLINTERING WOOD fills the air. The walls tremble. Tara curls into a ball, wailing in terror.

EXT. ABANDONED GAS STATION - DAY

The Knights are trying to chop through the slats.

INT. ABANDONED GAS STATION - CUSTOMER AREA - DAY

The blade of an axe pierces the wall near Dawn.

BUFFY
Dawn --

CRASH! The office door behind Buffy smashes open. Buffy spins around -- WHAM! Knight #1 clocks her with his mace. Buffy staggers back.

DAWN
Buffy!

WHAM! Spike smashes the Knight in the face -- then screams in agony as his chip activates. He collapses to the floor, clutching his head. The Knight raises his mace to smash Spike's head off.

WHAM! Buffy lays into the Knight. Fists fly, the Knight goes down.

Xander drags the Knight through the office door.

General Gregor bursts in from the garage. He spots Dawn hunkered down near the wall.

GREGOR
The Key!

He raises his broadsword. Buffy grabs the fallen Knight's mace, hurls it. The mace hits Gregor's sword hand, forcing him to drop the sword. He whirls around -- Buffy's now right behind him, murder in her eyes.

WHAM! Buffy punches Gregor in the face. He hits the floor at Dawn's feet, out cold.

CRASH! Chain mail hands burst through windows and smash through rotted wood. It's like a Medieval Night of the Living Dead. There's just too many of them.

Willow's eyes suddenly crackle with DARK ENERGY. She's found her spell -- and she's completing it with angry confidence.

WILLOW
Enemies, fly and fall...circling
arms, raise a wall!

An energy flash explodes out from around Willow like the shock wave of a magical nuclear blast.

41 AND 42 OMITTED

EXT-. ABANDONED GAS STATION - DAY

BOOM! The energy wave slams into the Knights, blowing them all back from the gas station. Dante staggers to his feet and charges the building.

He slams his sword pummel into the barrier which flashes, but won't give. He turns to his men, growls with anger.

DANTE
They have the General. Clerics!

The Knights part, making way for two ancient, robbed HOLY MEN.

CLERIC #1
Energy barrier. A most powerful one.

DANTE
Can it be breached?

Cleric #1 smiles coolly.

CLERIC #1.
A witches magic pales to the might
of our God. The infidel's wall shall
tumble before us.

They assess the situation. They can hear the barrier HUM.

INT. ABANDONED GAS STATION - CUSTOMER AREA - DAY

Tense silence. That was way too close. Willow's nose is bleeding from the spell.

XANDER
(indicating Will's nose)
Will.

Willow wipes the blood away with the back of her hand, barely noticing.

WILLOW
(re: nose bleed)
You get used to it.

BUFFY
How long will it hold?

WILLOW
Half a day, maybe.

Willow eyes the Clerics outside. They're standing side by side, heads bowed. Cleric #1 chants.

WILLOW (cont'd)
Or until Heckle and Jeckle punch a
hole in it.

Buffy tries to process the situation. How did things go downhill so fast?

Spike massages his temple. He stares down at the unconscious Gregor in disgust.

SPIKE
What's the story on these roleplaying rejects?

Buffy eyes Gregor, her face turning hard.

BUFFY
Let's find out.

INT. ABANDONED GAS STATION - GARAGE - NIGHT

Gregor has been tied to one of the pneumatic lifts used to raise cars. He glares at Buffy, his jaw set. Xander, Spike and Dawn watch the confrontation. Willow, Tara, and Anya are in the other room with Giles.

SPIKE
You sure Scarface here can
habla the English?

BUFF'Y
(not taking her eyes off him)
He understands me. Don't you?

GREGOR
You were warned we would return, Slayer.

BUFFY
Took you long enough.
(eyeing his larger tattoo)
You supposed to be some kind of chief?

Gregor locks eyes with her, trying to intimidate.

GREGOR
General.

BUFPY
(staring him down)
In charge of what? Getting captured?

GREGOR
You do not frighten me, child.

He turns to Dawn, pinning her with a withering stare. Dawn squirms.

GREGOR
The instrument of chaos will be destroyed --

Buffy loses her cool. She latches onto his face, roughly snapping his head back to look at her.

BUFFY
Look at her that way again, and
she'll be the last thing you ever see.

GREGOR
(not backing down)
As I was told. You protect the Key
of the Beast.

Buffy backs off, barely regaining her composure.

BUFFY
It's not that simple.

Gregor's face softens a bit. He takes Dawn in with the compassionate eyes of a father.

GREGOR
Yes. The Key has been transformed.
Given breath. Life.
(sadly, to Buffy)
Yet this makes no difference. The
Key is the link. The link must be
severed. Such is the will of God.

BUFFY
She doesn't remember anything about
being this Key everyone's looking for!
All she remembers is growing up with
a mother and a sister that love her.
What kind of god would demand her
life for something she has no control over?

Silence. Gregor ventures no response.

BUFFY (cont'd)
(softer)
We're not your enemy. Tell your men
to stand down.

GREGOR
(a beat)
No.

BUFFY
(losing it again)
It's not her fault! She's human now!

GREGOR
The Key is too dangerous to be allowed
to exist -- no matter what form it has
been pressed into.

BUFFY
(on the verge of violence)
I'm not going to let anyone --

Tara shrieks from the Customer Area.

ANYA (O.S.)
Buffy!

INT. ABANDONED GAS STATION - CUSTOMER AREA - NIGHT

Buffy rushes in, with Dawn, Spike, and Xander close behind. Tara is pitching a serious fit, screaming and flailing. Willow is trying to get her under control.

WILLOW
Tara... Tara, please ...

BUFFY
What happened?

ANYA
I don't know! She just went nuts!
(whoops)
Oh! I mean, uh --

TARA
(screaming)
Time! Time! Time!

She breaks away from Willow and runs for the door. She claws at it, sinking to her knees, sobbing.

Willow cradles her on the floor. She turns to Buffy, searching desperately for comfort.

WILLOW
We have to do something. She can't
stay like this. Buffy?

Buffy's pained face says it all. She's not even close to having any answers.

TARA
(crying softly)
Time... time...

INT. HOSPITAL - MENTAL WARD - NIGHT

The Nurse that checked Orlando out is trying to calm the agitated Crazies. They're all muttering the same thing.

CRAZIES
...time... ...time…

NURSE
No, it's not time for your meds yet.
Just lie back and--

SNAP! Crazie #1 yanks his restraints free. The Nurse tries to hold him down, yelling for help.

NURSE (cont'd)
Doctor! Doctor McCarthy--

WHAM! Crazie #3 knocks her unconscious from behind. All the Crazies rise and shuffle for the door, their faces blank.

CRAZIES
(muttering softly)
...time... it's time... it's time...

EXT. ABANDONED GAS STATION - NIGHT

Orlando is also feeling the pull. He struggles against Dante, who holds him back.

ORLANDO
It's time! It's time!

Dante embraces him tightly. He whispers soothingly in Orlando's ear.

DANTE
No! Shhh... There's nothing to fear,
my brother. The Beast may have taken
your mind, but I swear to you... she
will never know the taste of your heart.

Orlando stiffens. His face suddenly becomes sane -- and filled with pain. He slides to the ground, dead. Dante is holding a bloody dagger -- he slipped it into Orlando's heart during the embrace. Dante's anguish gives way to rage.

DANTE (cont'd)
Clerics! I want the witch's barrier
down! Now!

INT. ABANDONED GAS STATION - CUSTOMER AREA - NIGHT

Buffy is gripping Giles' hand like a lifeline, trying not to completely fall apart. Giles is barely conscious.

BUFFY
I'm sorry.

GILES
For what?

BUFFY
We should have stayed. If we had,
none of this --

GILES
Don't.
(a beat)
You did... what was necessary. What
I've always admired.

BUFFY
Running away?

GILES
Being able to place your heart
above all else.
(a beat)
I'm so proud of you. How far you've
come. You're everything a Watcher -
everything I could have hoped for ...

He drifts back off into unconsciousness. Buffy stands there, desperately clutching his hand, trying to figure out what to do. She comes to a decision.

BUFFY
Willow. Open a door.

EXT. ABANDONED GAS STATION - NIGHT

The chanting Clerics stumble back as a door-sized rift opens in the barrier. Buffy steps outside. Xander is close behind, backing her up with the mace. The rift closes behind them. The Knights raise their weapons, but Dante raises a hand to halt their attack.

DANTE
Speak.

BUFFY
One of my friends was hurt when you
attacked us --

DANTE
And ten of mine are dead. Honorable
men. Shall we balance the scale?

Dante draws his sword. Xander's heart is about to thump out of his chest. Buffy grits her teeth, barely containing her mounting rage.

BUFFY
Will you let someone come and help
him or not?

DANTE
Give quarter to an agent of the Beast?
What madness would move me to
such action?

BUFFY
I'm done asking.

Buffy takes a step towards Dante, ready to bring on the hurt. The Knights behind him tense. Xander steps in, trying to defuse the situation.

XANDER
Whoa, hey, uh... this is war, isn't it?
And if there's one thing I've learned
from Sergeant Rock, in war there are
rules. Or at least there should be...
if you're as "honorable" as you think you are.
(a beat)
Plus we do have your General Forehead Guy.

Dante glares, his face impenetrable.

INT. ABANDONED GAS STATION - CUSTOMER AREA - NIGHT

Willow is casting an electrical spell at the pay phone.

WILLOW
... discharge and bring life!

A light flickers to life in the phone booth. Buffy picks up the phone, gets a dial tone, nods. She punches in a number.

SPIKE
(re: Willow)
Handier than a Swiss knife. You know
the door to my crypt's got this nasty
squeak. Maybe you could --

Someone picks up on the other end of the line.

BUFFY
(into phone)
Hey, it's Buffy. I need to ask you
a really big favor ...

EXT. ABANDONED GAS STATION - NIGHT

A car pulls up, screeches to a halt as the driver spots the Knights. It's Ben -- he's the one Buffy called. His eyes flash with fear as the Knights surround his car.

INT. ABANDONED GAS STATION - CUSTOMER AREA - NIGHT

The Gang watches tensely as Ben examines Giles, his doctor's bag close at hand.

BEN
You, uh, forgot to mention the
costume party outside.

BUFFY
Sorry. I -- I didn't know who else to call.

BEN
No, it's okay. I mean, yeah, not exactly
the way I pictured seeing you again, but --
(laughs)
I'll take what I can get.

BUFFY
Thanks for coming.

BEN
My pleasure.

He smiles warmly, his eyes shifting to Dawn across the room....

BLACK OUT.

END OF ACT THREE
Act Four

INT. ABANDONED GAS STATION - CUSTOMER AREA - NIGHT

Giles is still unconscious, his breathing labored. Buffy hovers as Ben finishes applying a fresh dressing to the wound.

BEN
I think I got him stabilized, but there's
a lot of damage. We need to get him out of here.

BUFFY
The guys with the pointy swords kinda
have other ideas.

BEN
(facetiously)
Don't they always?

BUFFY
I know this must seem extra outer limits --

BEN
This? Nah. I've seen things you
wouldn't believe. You know, emergency
room, full moon on a Saturday night ...

BUFFY
If things get too weird, just let me
know. I'll understand.

BEN
(smiling warmly)
Don t worry about me. I won't leave
till I've worn out my welcome.

INT. ABANDONED GAS STATION - GARAGE - NIGHT

Gregor is still tied to the pneumatic lift. Spike sits perched on a work bench, a cigarette dangling from his mouth. He's trying to fire up his lighter, but can't manage it with his sliced up hands. Xander takes the lighter, fires it up.

SPIKE
(lighting cig)
Thanks.

XANDER
You know those things'll kill you.

Spike stares. Hello, already dead.

XANDER (cont'd)
Oh. Right.

An awkward silence. Xander's trying to make nice, but not sure how to go about it.

XANDER (cont'd)
I mention today how much I don't like you?

SPIKE
Might have slipped it in once or twice.

Xander allows himself a half smile. Is that the sound of ice breaking?

XANDER
(re: Spike's hands)
How are the feelers?

SPIKE
(grimacing in pain)
Nothing compared to the little bits
we're all going to get chopped into
when the Renaissance Fair kicks the
door in. And here we bloody sit.

XANDER
Not like we have much of a choice.

SPIKE
Could make a run for it. Use General
Armor-All as a shield, get to the doc's
car and --

XANDER
Great plan. And while all the hacking
and slashing's going on, what are you
going to be doing? Throwing migraines at 'em?

The ice has definitely frozen back over.

SPIKE
Look, we stay here, we all die. At
least this way some of us might --

BUFFY
No.

They turn. Buffy has entered from the customer area. She tries to be confident, but her voice is tinged with denial and fear.

BUFFY
We're all going to make it. I'm not
losing anyone.

Spike backs down.

BUFFY (cont'd)
Check the supplies. See if anyone's
hungry.

Spike and Xander exit. Gregor laughs, amused.

GREGOR
Dissension in the ranks. Seldom the
harbinger of glad tidings.

Buffy snaps. She whacks Gregor hard across the face.

BUFFY
Shut up!

A beat. Gregor spits blood, eyes Buffy sadly.

GREGOR
Poor, frightened girl. You've no
idea what you've gotten yourself into.

BUFFY
Then why don't you fill me in?

GREGOR
Would it make a difference?

They lock eyes. Desperation swirls across Buffy's face. A beat. Gregor gauges her carefully. Perhaps he can reach her, make her understand.

GREGOR (cont'd)
What do you know of the Beast?

BUFFY
Strong. Fast. Hellgod.

GREGOR
From a dimension of unspeakable torment.

BUFFY
A demon dimension, I know. There
were two other Hellgods that ruled
with her, weren't there?

GREGOR
Along with the Beast, they were a
triumvirate of suffering and despair,
ruling with equal vengeance. But the
power of the Beast grew beyond even
what they could conceive -- as did her
lust for pain and misery. They looked
upon her, what she had become... and trembled.

BUFFY
A god afraid?

GREGOR
Such was her power. They feared
she would attempt to seize the dimension
for herself, and decided to strike first.
A great battle erupted. The very bowels
of Hell trembled as the war of the gods
spanned a thousand years. In the end,
they stood victorious over the Beast -
barely. She was cast out, banished
to this "lower" plane of existence, forced
to live and ultimately die trapped within
the body of a mortal, a newborn male,
created as her prison. Her own living Hell.

BUFFY
Wait -- male?

GREGOR
That was her punishment. To finish
an ageless existence buried deep inside
the flesh tomb of a normal average
human man. A man that would grow,
age, and eventually die, like all the
rest of us. That is the Beast's only weakness.

BUFFY
(getting it)
Kill the man, and the god dies.

GREGOR
(nods)
Unfortunately the identity of the
human vessel has never been discovered.

BUFFY
I don't understand. I've seen Glory.
Not a whole lot going on in the hairy
chest department.

GREGOR
You have seen a glimpse of the true
Beast. Her power was too great to be
completely contained. She's found
a way to escape her mortal prison for
brief periods before her energies are
exhausted and she's forced back into
her living cell of meat and bone.

DAWN (O.S.)
What about me?

Buffy turns. Dawn is standing in the doorway of the garage.

DAWN
What about the Key?

BUFFY
Dawn - -

DAWN
(scared but determined)
I want to know.

Buffy gives in, turns back to Gregor.

GREGOR
The Key is almost as old as the Beast
itself. Where it came from, how it
was created -- the deepest of mysteries.
All that is certain is that its power is absolute.
Countless generations of my people
have sacrificed their lives in search
of it, to destroy it before its wrath
could be unleashed.

DAWN
But the monks found it first.

GREGOR
(bitterly)
Yes. And hid it with their magicks.

BUFFY
Why didn't they destroy it? If the
Key's as dangerous as you --

GREGOR
Because they were fools! They thought
they could harness its power for the
forces of light. They failed -- and
paid with their blood.

DAWN
What do I do? What was I created for?

GREGOR
You were created to open the gates
that separate dimensions. The Beast
will use your power to return home
and seize control of the Hell she
was banished from.

A stunned, surprised beat. Buffy laughs.

BUFFY
That's it? That's Glory's master plan?
Go home?

GREGOR
You misunderstand. When the Key is
activated, it won't just open a gate
to the Beast's dimension -- it's going
to open all the gates. The walls
separating realities will crumble.
Dimensions will bleed into one another.
Order will be overthrown and the
universe will tumble into chaos.
All dark. Forever.
(to Dawn)
That is what you were created for.

Dawn is devastated -- and so is Buffy. Surprise -- little sis has the power to destroy the universe.

INT. ABANDONED GAS STATION - CUSTOMER AREA - NIGHT

Dawn is standing at a boarded up window, absently peering out through a gap at the Knights. Buffy appears in the doorway.

BUFFY
Dawn...

DAWN
(soft)
You think it's true? What he said?

Buffy struggles for the right answer. Can't find one.

BUFFY
I don't know.

DAWN
(trying not to cry)
Destroyer of the universe. Guess cutting
school doesn't seem so bad now, huh?

BUFFY
It's not you. You know that.

DAWN
But it's in me, isn't it? It's inside me.
(a beat, small)
What are we going to do?

Buffy moves next to her, trying to mask her own worry and uncertainty.

BUFFY
I won't let anything happen to you, Dawn.

Buffy slips her hand into Dawn's.

BUFFY (cont'd)
I promise.

They stand there, hand in hand, silent.

INT. ABANDONED GAS STATION - GARAGE - NIGHT

Willow is sitting in the corner with Tara, trying to feed her from a can of fruit cocktail.

TARA
Wriggling.

Tara pushes the spoon away, sending fruit flying.

WILLOW
(exhausted)
Tara, come on. You have to eat.

ANYA (O.S.)
Want me to try?

Willow looks up, sees Anya there, sighs.

WILLOW
Don't know. Kinda getting used to
picking fruit out of my hair.

ON GREGOR

Watching them from across the room. He shifts his attention to Ben. He's rinsing off his medical instruments with alcohol in a sink near Gregor.

GREGOR
(eyeing him carefully)
You.

Ben freezes. Has Gregor figured out his secret?

GREGOR (cont'd)
You are not a part of this, are you?

Ben relaxes. Still safe.

BEN
Just a friend of the family.

GREGOR
And would you die for them?

Ben turns, faces Gregor. Gregor smiles mirthlessly.

GREGOR (cont'd)
Because that is what your future
holds if you align yourself with the
Slayer and her misguided people.

BEN
It's my life. I'll do what I please
with it.

GREGOR
It's not just your life. Unimaginable
legions will perish, including everyone here.
(soft, conspiratorial)
You can stop this. You can save all
their lives... by ending one. The little
girl. The Key. Destroy it, and the
will of the Beast will be broken.
She will fade, a distant memory...
and this madness will end.

Ben considers the General's words, carefully weighing his options. This may be his only chance to stop Glory -- and continue his life.

INT. ABANDONED GAS STATION - CUSTOMER AREA - NIGHT

Dawn stands over Giles, her face etched with concern. He's still unconscious but in obvious discomfort. Ben appears next to her. Dawn jumps, startled.

BEN
Sorry.

Giles groans. Ben moves in, takes his pulse. Dawn watches nervously.

DAWN
Is he... is he going to be okay?

BEN
(avoiding the question)
He was hurt pretty bad, Dawn.

Ben watches Xander move into the garage. He's now alone with Dawn.

DAWN
It's because of me. It's all my fault.

BEN
No, it isn't.

He moves to his doctor's bag behind Dawn.

DAWN
You don't know what's happening.

BEN
I don't have to.

Dawn's eyes are locked on Giles. She doesn't see Ben take a hypo out of his bag and begin to prepare it.

BEN (cont'd)
I just know that sometimes terrible
things happen to good people. It
shouldn't, but it does. And it's
nobody's fault.

He turns to Dawn, the hypo in his hand. He advances on her, his face unreadable.

BEN (cont'd)
(soft)
That's just the way life is.

He reaches Dawn, hypo poised... and passes right by her. He goes to Giles, slips the needle in. Giles sighs, his face relaxing.

DAWN
Is that going to help?

Ben doesn't reply. He stands frozen, his back to her.

DAWN (cont'd)
Ben?

The hypo crashes to the floor. Ben's eyes go wide in terror. Glory's coming

INT. ABANDONED GAS STATION - GARAGE - NIGHT

Ben comes tearing in, Dawn close behind.

BEN
You have to let me out!

DAWN
Ben - -

BEN
You don't understand! I got to get
out! Open a door! NOW!

Buffy and Spike rush in from the office.

BUFFY
What happened?

DAWN
I don't know! He just freaked out!

BEN
LET ME OUT!

BUFFY
Will, open a --

Ben screams in agony. Too late.

BEN
NO!

Ben MORPHS INTO GLORY. Everyone freezes in shock. Glory takes in the scene, grins with delight.

GLORY
Well what do you know! Little Ben
finally did something right.

GREGOR
(genuinely terrified)
The Beast.

GLORY
(recognizing him)
Hey! It's Gregor!

Glory grabs an old rusted hubcap off the workbench and flings it. WHAM! It buries itself halfway into Gregor's chest. Extra dead.

GLORY (cont'd)
Now it's not.

BOOM! All hell breaks loose as the Gang attacks. It's extra short confrontation -- Glory's way done fooling around. Spike goes flying into Xander and Anya.

Willow's eyes crackle with Dark Magic as she gears up a spell.. WHAM! Buffy gets slammed back into her. They both go down, dazed. Glory latches onto Dawn.

DAWN
Buffy!

Glory slams through the door.

EXT. ABANDONED GAS STATION - NIGHT

WHAM! She hits Willow's barrier. She sneers in contempt.

GLORY
Yeah, right.

She rears her fist back and bellows as she slams it into the barrier. BOOM! She blows a jagged hole in it. It CRACKLES, already beginning to close up.

BUFFY
Dawn!

Glory yanks Dawn through the hole. Buffy dives after them, but doesn't make it before the hole closes. WHAM! She crashes into the restored barrier.

INT. ABANDONED GAS STATION - GARAGE - NIGHT

Buffy reenters.

BUFFY
Willow! Get it down! Now!

Willow's dazed. She tries to focus on the spell.

WILLOW
Hear... hear my plea... circling arms
protecting me...

EXT. ABANDONED GAS STATION - NIGHT

Willow's barrier crackles, dissipates. Buffy rushes out -- and freezes in horror. The ground is littered with the broken bodies of the Knights and the Clerics. Dante exhales his last blood-soaked breath.

DANTE
The Beast ...

Dante expires. No sign of Glory -- or Dawn. The rest of the Gang spills out, equally horrified by the carnage.

WILLOW
We... we have to ...

SPIKE
The car! Check for the keys!

Spike and Xander rush to Ben's car. Willow cradles Tara, who's sobbing at the confusion and horror of what's happened.

Buffy trembles, tears filling her eyes. She collapses to her knees, totally shutting down. Her promises meant nothing. She's failed, totally and completely.

WILLOW
Buffy... ?

XANDER (O.S.)
They're not here!

SPIKE (O.S.)
We'll have to boost it! Find
something to cut the wires!

WILLOW
Buffy, we... we have to look for
Dawn. We can't let Glory... Buffy?

Buffy isn't responding. Willow's concern quickly gives way to fear over what's happening to her friend.

SLOW PUSH IN on Buffy. We hear WILLOW'S VOICE, but it's as if it's coming from a great distance -- and fading fast.

WILLOW (O.S.)
(fading)
You have to get up. We need you.
Buffy, please... Buffy? Buffy?..

TIGHT ON BUFFY'S FACE as Willow's voice fades to nothing. Losing Dawn has sent Buffy tumbling over the precarious edge she's been balancing on. Silence.

BLACK OUT.

END OF SHOW